Manual rotoscoping using Bézier masks is available, too, but it requires forward planning – adding extra nodes messes up previously created keyframes. This data can be mapped onto the source position of a particle generator, or for all sorts of other functions, including rudimentary rotoscoping, where objects are cut out from their backgrounds without the need for a green screen. With the help of the Deflector tool, we were able to make particles appear to bounce off and wrap around the sides of our actor.ĢD optical flow tracking is available to trace the movement of elements within a video.

When used in conjunction with the excellent keying tools for separating a subject from its background, it’s possible to place live action elements among the particle effects. 47197 info 15 buy FXhome Imerge Pro 1.2.0 info 20 buy FXhome Photokey Pro 0 info 34 buy FXpansion BFD3 Core Library info 34 buy FXpansion BFD3 Core Library for Mac info 15 buy FXpansion BFD3 v3.2.2.2 for Mac info 15 buy FXpansion BFD3 v3.3.1. Video layers can be positioned in 3D space too. 15 buy FXhome Action Pro 1.0.54 info 15 buy FXhome HitFilm Pro. The results wouldn’t have been out of place in a professional production. Deflectors were put in place to create surfaces for the grass and mud to land on, and Bounce and Friction controls were used to specify how the particles interacted with these surfaces.

The Forces controls were used to add gravity, a gentle breeze and an element of turbulence to the dust cloud. We used the Lifetime tab to simulate air resistance to slow down the dust and make it hang in the air.

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